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Darin Tino

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The Godfather of  70’s Movie Endings* Had More To It Than Fast Cars & Loose Women. Probably.

Dirty Mary, Crazy Larry  without a doubt, is one of the Top Three Greatest Car Chase Movies Ever of All Time, Period, End Of Discussion list. I can’t imagine there being the level of fool out there required to refute that ranking.

There’s a lot under the movie’s hood. Sure, from the outside it’s a fast ride done in some hot wheels. It’s a heist flick.  Upon closer look, it’s a mediation on fate and second chances. A free spirited love story. It’s a Metaphorical Life Lessons manual. Celebration of the anti-hero increasingly being represented onscreen. Celebration to Susan George’s hot mess hotness. Yet there’s even more to it than that.


 Adam Roarke, Susan George, & Peter Fonda: The Fuck You Generation


Dirty Mary, Crazy Larry  can be viewed as a high speed cautionary tale and  masquerading as a car chase movie. Its message suddenly and starkly revealed at the last moment upon Crazy Larry’s boast, “Hey, mister, ain’t nothing gonna stop us!”

Nothing except that double negative. Taking the symbolic form of a 20-ton locomotive. That suddenly comes out of nowhere. Instantly ending our trio’s future. Therein  delivering the film’s hidden message: the dire consequence of poor grammar.

*70’s Ending – the sudden downbeat/ambiguous endings that were signature to the cinema of the era**

**see Dirty Mary, Crazy Larry. Vanishing Point. Night Moves


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